从敦煌壁画中精选出最具代表性、最具艺术价值的植物元素图案，如莲花、荷花、牡丹、菊花、梅花、松树等，以突出敦煌艺术的特色和魅力。在书籍中突出了植物元素这一主题，通过对植物的形态、色彩、象征意义等方面的分析和表现，展示敦煌壁画中植物元素的独特魅力和文化内涵。在设计中适当融入了现代设计元素，如现代排版、现代印刷技术等，以增强出版物的时代感和艺术感。

The most representative and artistically valuable plant element patterns are selected from Dunhuang murals, such as lotus, lotus, peony, chrysanthemum, plum blossom, pine, etc., to highlight the characteristics and charm of Dunhuang art. The theme of plant elements is highlighted in the book. Through the analysis and performance of plant form, colour, symbolism and other aspects, the unique charm and cultural connotation of plant elements in Dunhuang murals are displayed. Modern design elements, such as modern typesetting and modern printing technology, are appropriately integrated into the design to enhance the sense of the times and art of publications.

在敦煌壁画的灿烂发展中，植物图案作为极其重要的艺术表现形式一直贯穿其中，但长久以来却被当作附属存在而忽略。通过深入考察和研究，从敦煌壁画的山水背景、人物标示、装饰纹样三个方面详细阐述了植物图案的广泛运用和发展规律，还原了植物图案应有的艺术地位，且呈现出清晰的演变脉络。

In the splendid development of Dunhuang murals, plant patterns have been running through it as an extremely important form of artistic expression, but they have long been ignored as an accessory. Through in-depth investigation and research, the extensive application and development law of plant patterns are elaborated from the three aspects of landscape background, character marking and decorative patterns of Dunhuang murals, restores the artistic status of plant patterns, and presents a clear evolutionary context.

敦煌是中国、印度、希腊、伊斯兰这四个文化体系的汇流之地，敦煌文化在世界文化体系中有着举足轻重的地位。文创产品作为传播文化的一种特殊手段，对于文化的传承与发展有着重要作用，是文化与人们之间的重要桥梁。在创作过程中我发现：近几年与敦煌文化相关的文创产品，无不越来越单一乏味，缺乏创造性——这是因为设计者对于敦煌文化的内涵没有深刻的了解。而我们作为新一代的设计者，如何用新时代的科学技术手段搭建好传统文化与新生文化之间的桥梁，将任重而道远。

Dunhuang is the confluence of the four cultural systems of China, India, Greece and Islam, and Dunhuang culture plays a pivotal role in the world's cultural system. As a special means of disseminating culture, cultural and creative products play an important role in the inheritance and development of culture and are an important bridge between culture and people. In the process of creation, I found that in recent years, the cultural and creative products related to Dunhuang culture have become more and more boring and lack creativity - this is because the designers do not have a deep understanding of the connotation of Dunhuang culture. As a new generation of designers, how to use the scientific and technological means of the new era to build a bridge between traditional culture and new culture will be a long way off.