本课题基于陕西考古博物馆创作主题为“神兽来了”的插画设计和衍生品设计。以陕西考古博物馆的文物为切入点，通过神兽类藏品的背后的故事、造型、青铜纹样的形式来制作插画设计。在文物插画设计的基础上进行衍生品设计，为博物馆文物衍生品设计提供了多元化的表现形式与设计方法，让传统工艺顺应时代潮流，提升人们对文物衍生品设计的关注度，对博物馆历史文化发展与传承起着推动作用。

This project is based on the illustration design and derivative design created by the Shaanxi Archaeological Museum with the theme of "The Divine Beast Comes". Taking the cultural relics from the Shaanxi Archaeological Museum as the starting point, we create illustration designs through the stories, shapes, and bronze patterns behind the collection of divine beasts. On the basis of cultural relic illustration design, derivative design provides diversified forms of expression and design methods for museum cultural relic derivative design, making traditional crafts conform to the trend of the times, increasing people's attention to cultural relic derivative design, and promoting the development and inheritance of museum history and culture.

本次课题是考古博物馆主视觉设计，创作主题是“神兽来了”陕西考古博物馆文物插画设计，主要是通过插画形式在保留原文物识别度的基础上做设计和统一的色彩搭配，采用了剪纸风格，尽量表达出原文物的结构，用剪纸风插画美化并放大这种结构特点，并根据文物特色加入了纹样以及文物上的神兽，让文物“活”起来，互动也更多样化些。在这些作品中，每幅画面的造型都能体现出文物上的神兽和纹样。在整个设计的过程中，我经历了许多挑战和困难，我不断努力、尝试、思考，终于实现了这个设计，通过这个设计我不仅学到了许多课本上无法学到的经验， 还学会了如何与团队协作和解决问题。 在此，我衷心的感谢我们的指导老师的支持和鼓励，我也希望通过我的设计，能够给他们带来不同的感受，同时也希望自己能够继续学习和成长，不断的努力成为更好的自己。

This topic is the main visual design of the Archaeological Museum. The creative theme is the illustration design of cultural relics in Shaanxi Archaeological Museum. It mainly designs and unifies the color matching on the basis of preserving the recognition of the original objects through the illustration form. It adopts the Paper Cuttings style to express the structure of the original objects as much as possible, beautifies and magnifies this structural feature with Paper Cuttings style illustrations, and adds patterns and mythical animals on cultural relics according to the characteristics of cultural relics, Let cultural relics' come to life 'and have more diverse interactions. In these works, the shape of each picture can reflect the divine beasts and patterns on the cultural relics. Throughout the entire design process, I have experienced many challenges and difficulties. I have been constantly striving, trying, and thinking, and finally achieved this design. Through this design, I have not only learned many experiences that cannot be learned in textbooks,I also learned how to collaborate with teams and solve problems.Here, I sincerely thank our guidance teachers for their support and encouragement. I also hope that through my design, I can bring them different feelings. At the same time, I also hope to continue learning and growth, and strive to become a better myself.

本课题基于陕西考古博物馆创作主题为“神兽来了”的衍生品设计。以陕西考古博物馆的文物为切入点，通过藏品神兽的背后的故事、造型、青铜纹样的形式来制作考古博物馆文物的衍生品设计。人们面对着越来越多的资讯、拥有多元的文化选择，因而主动求变求新迫在眉睫。要创新化的推动文物宣传，多形式、信息化地展示文物衍生品设计。让传统文物工艺顺应时代潮流，提升人们对文物衍生品设计的关注度。

This project is based on the derivative design of the Shaanxi Archaeological Museum with the theme of "God Beast Comes"。Starting from the cultural relics of Shaanxi Archaeological Museum， Through the story and design behind the collection of divine beasts，The derivative design of archaeological museum artifacts in the form of bronze patterns。People are facing an increasing amount of information and have diverse cultural choices， Therefore, actively seeking change and innovation is urgent。To promote the promotion of cultural relics in an innovative manner, and display the design of cultural relics derivatives in multiple forms and informatization。Adapting traditional cultural relic craftsmanship to the trend of the times and increasing people's attention to the design of cultural relic derivatives。