现代社会中，涂鸦作为一种充满个性、富有创意的艺术形式，普遍出现在城市建设当中。然而，在城市化的同时，乡村文化的发展受到了极大的限制。本研究旨在探讨如何将涂鸦风格与乡村文化相结合，创作出具有个性、吸引人的插画设计作品。 本研究通过实地考察和深入了解当地文化，提出了将涂鸦风格运用到该村主题插画设计中的构想。我们认为，这种创新的设计思路可以使传统乡村文化得到更多的关注和保护，同时也能激发公众对涂鸦艺术的兴趣和热情。 总之，本研究不仅充分发掘了乡村文化和涂鸦风格的特色，也展示了两者结合的独特魅力。我们希望这种创新的设计思路能够为现代视觉艺术的发展带来新的启示和机遇。

In modern society, graffiti, as an art form full of personality and creativity, generally appears in urban construction. However, along with the urbanization, the development of rural culture is greatly restricted. This study aims to explore how to combine graffiti style with rural culture to create individual and attractive illustration design works. This study presents the idea of applying the graffiti style to the design of the theme illustrations in the village through the field investigation and the deep understanding of the local culture. We believe that this innovative design idea can make the traditional rural culture get more attention and protection, and also stimulate the public's interest and enthusiasm for graffiti art. In short, this study not only fully explores the characteristics of rural culture and graffiti style, but also shows the unique charm of the combination of the two. We hope that this innovative design idea can bring new enlightenment and opportunities for the development of modern visual art.

此设计是围绕黄良村进行的插画及衍生品设计，观察村落痕迹，形状多样化、不规则，在不断地尝试中，觉得小怪兽十分贴切。赋予他们之前是守护粮食的小怪兽，现在村里没有粮仓就变成了守护村民的小怪兽。有的可爱，有的活泼。将村镇面貌和村民生活作为表现对象，用插画的形式展示有温度、有趣味的村镇生活，让观众看到朴实又充满活力的中国乡村。

This design revolves around the illustration and derivative design of Huang Liangcun, observing the village traces. The shapes are diverse and irregular, and through continuous experimentation, I find the small monster very appropriate. They were given the small monsters that used to guard grain, but now without a grain depot in the village, they have become small monsters that guard the villagers. Some are cute, some are lively. Taking the appearance of villages and towns and the lives of villagers as the objects of expression, the warm and interesting village life is displayed in the form of illustrations, allowing the audience to see the simple and vibrant Chinese countryside.

本此设计以中国乡村文化为主题，通过对黄良村进行实地考察、居民走访以及网络调研深入了解当地的历史背景文化。通过采集黄良村街景片段，将传统历史中的黄良村使命进行提取与转移，创作了一系列“护粮小怪兽”，用插画的形式进行表现。我通过对黄良村历史文化背景的调研以及整个创作过程，感受到了插画设计在传承和推广乡村文化方面的重要性。

This design takes Chinese rural culture as the theme. Through field investigation, resident visits and network research in Huangliang Village, we have an in-depth understanding of the local historical background and culture. By collecting the street scenes of Huangliang Village, the mission of Huangliang Village in the traditional history is extracted and transferred, and a series of "little monsters for food protection" are created, which are expressed in the form of illustration. Through the investigation of the historical and cultural background of Huangliang Village and the whole creation process, I felt the importance of illustration design in the inheritance and promotion of rural culture.