本次设计首先从国内外对于室内结构设计研究的方面进行梳理，再对选题背景创作进行特点概括，对场地的调研和分析进行简单梳理，从感知环境与人类生活相结合意识到以人为主导，增加场地的感染性与情感性。既对室内空间结构设计有更深入的思考，也将以人为主作为构建室内空间设计的主要核心对象。本次设计以空间的“呼吸”为主题设计，充分利用空间气体的流动赋予空间以灵性使其达到“呼吸”的形态。对风元素引入至人群参与的空间当中，使人仿佛置身于“风蚀”过后的时间流逝感以及气流从身间滑过从而使人耳目一新的愉悦。“朝歌夜酒，日游夜饮”的在不同时间绘画出不同商展模式的创新呼吸空间。似是午后阳光的你，走过的每一步，都留下道道温婉的风景线。

This design firstly sorted out the research on interior structure design at home and abroad, then summarized the characteristics of the background creation of the topic, briefly sorted out the investigation and analysis of the site, and realized from the combination of the perception of the environment and human life to increase the infectivity and emotion of the site. It not only has a deeper thinking on interior space structure design, but also takes people as the main core object of interior space design. This design takes the "breathing" of space as the theme design, and makes full use of the flow of space gas to give the space with spirituality to achieve the form of "breathing". The wind element is introduced into the space with the participation of the crowd, making people feel as if they are in the passage of time after the "wind erosion" and the air flow slipping through the body, thus making people feel fresh and pleasant. "Singing in the morning and drinking at night, travel

本文将“东方美学文化”与自然地质“风蚀”现象用于空间设计之内，增添了室内环境设计的可能性，对于“东方美学文化”的传承与发展带来一定的帮助，同样也有了不同的理解，但仍存在不足之处，相信随着越来越多的关于“东方美学文化”的理论研究与“风蚀”现象在空间内应用的出现，对于新型经营模式日茶夜酒的发展，会有越来越多的作品出现，在这条道路上我将继续努力探索，贡献自己的力量。

In this paper, "Oriental aesthetic culture" and natural geological "wind erosion" phenomenon is used in the space design, adding room The possibility of interior environment design is helpful to the inheritance and development of "oriental aesthetic culture". There are different understandings, but there are still shortcomings, believe that with more and more about "Oriental aesthetic culture" Theoretical research and the appearance of "wind erosion" phenomenon in space, for the development of new management mode, There will be more and more works, and I will continue to explore and contribute my own strength on this road.

没有一蹴而就的成功，当然也没有轻而易举的设计。“呼吸”一词的设计接触到了很多不同的方面。有着结构上的通透性、空气的流通性，有着人与人、人与空间、空间与空间的交流性，交互性，互动性。对于几大抽象方向的设计性，作为初次实验的我就好像被火苗刚刚点燃的香烟，有了部分的亮点，但是还有着很多的欠缺与不足。一步步从开题到现在，理论的概念与文献的参考，更加离不开导师的指导。此些助力将是我继续保持信心研究下去的动力，我将会不断向前更改更多的不足。

There is no overnight success, and there is certainly no easy design. The design of the word "breath" touches on many different aspects. With structural permeability, air circulation, with people, people and space, space and space communication, interaction, interactivity. As for the design of several abstract directions, as the first experiment, I was like a cigarette just lit by a fire. I had some highlights, but there were still many deficiencies. Step by step from the proposal to the present, the concept of theory and literature reference, more inseparable from the guidance of the tutor. This help will be my motivation to continue to maintain confidence in the research, I will continue to move forward to correct more deficiencies.